Hyperart Thomasson
ウィキペディア（収載）されたトマソン画像５枚
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トマソンジャンル01：かつて何かに使わ
れていた構造物の痕跡 |
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トマソンジャンル02：建築された歴史的 経緯が不明なもの。アヴァンギャルド |
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トマソンジャンル03：隣家の痕跡 |
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トマソンジャンル04：かつて何かに使わ れていた構造物の痕跡なのであるが、それがアーティスティクな機能や「かけがえのなさ」を逆に持ち始めたもの |
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トマソンジャンル05：構造物の痕跡であ るが、現在でも機能をもっているにもかかわらず「役にたたないんじゃん？！」と素人にバカにされるかわいそうな構築物 |
"Thomasson or Hyperart Thomasson
(Japanese: Tomason トマソン or Chōgeijutsu Tomason 超芸術トマソン) is a type of
conceptual art named by the Japanese artist Akasegawa Genpei in the
1980s. It refers to a useless relic or structure that has been
preserved as part of a building or the built environment, which has
become a piece of art in itself. These objects, although having the
appearance of pieces of conceptual art, were not created to be viewed
as such. Akasegawa deemed them even more art-like than art itself, and
named them "hyperart." In recent years there has been a resurgence of
interest in Thomasson, especially since the publication of Akasegawa's
work on the subject in English in 2010.[1]" - Hyperart
Thomasson.