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How Cyberpunk acts [Un]-ethically

Mitzub'ixi Qu'q Ch'ij y Dai-suke INOUE

Well, I don't think there was much to Cyberpunk as a literary phenomenon except the form, that was sort of deliberate.- William Gibson, "Conversations with William Gibson." Patrick A. Smith ed., Univ. Press of Mississippi, 2014.

 This paper analyzes the ethical and unethical group-share characteristic (ethos) of Cyberpunk as a concept of outlaw mutineer in cyberspace. The paper confirms the characteristics of Cyberpunk as a way of resisting society, but argues that rather than this being rooted in a concept of identity as a form of social constraint, this has more to do with agency and a form of social practice. https://doi.org/10.18910/78964

citation, "El ciberpunk (del original en inglés cyberpunk y cuya pronunciación es /'saɪbəʳpʌŋk/)​ es un subgénero de la ciencia ficción, conocido por reflejar visiones distópicas del futuro en las cuales se combinan la tecnología avanzada con un bajo nivel de vida en Cyberespacio. Originalmente el término cyberpunk fue utilizado para referirse al movimiento literario encabezado por Bruce Sterling, William Gibson y John Shirley que surgió durante la década de 1980 en el seno de la literatura de ciencia ficción,2​ siendo empleado por primera vez en ese sentido por Gardner Dozois en 1984.​ Dozois probablemente se inspiró en el título de un relato de Bruce Bethke.2​ El ciberpunk recibe su nombre de la adjunción del prefijo ciber- (relacionado con redes informáticas)4​ al vocablo punk (en referencia a su carácter rebelde). En él, la ciencia (y sobre todo la informática y la cibernética) suele generar o interaccionar con algún tipo de cambio de paradigma social o cultural." - El ciberpunk





Conclusion, We might say we are really Homo cybernensis - Sumus Homo cybernensis.
 


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https://doi.org/10.18910/78964
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